A third generation New Yorker, firstborn, Akua Lezli Hope has won two Artists Fellowships from the New York Foundation for the Arts, a Ragdale U.S.-Africa Fellowship, and a Creative Writing Fellowship from The National Endowment for The Arts. She’s won scholarships for the Hurston Wright writers’ program and the Provincetown Fine Arts Work Center. A Cave Canem fellow, she has been in print since 1974 with over 400 poems published.
Her poetry and art card project, Words on Wheels, which delivered them to the homebound elderly won an Artists grant in 2020. She received an Artists Crossroads Grant from The Arts Council of the Southern Finger Lakes for her project “Words in Motion,” which placed poetry on the buses of New York’s Chemung and Steuben counties. She was the guest poet at the Steele Memorial Library's 2003 Festival. UNPACKING, her collaboration with dancer choreographer, Lois Welk, was presented in 2003 at 171 Cedar Arts Center. She was a poet-in-residence at the Chautauqua Institute where she read her poetry, lectured on jazz poetry, and conducted a workshop entitled “Writing Poetry as Mythmaking.”
Her poem, Metis Emits, won the Science Fiction Poetry Association’s short poem award for 2015. Her first collection, EMBOUCHURE, Poems on Jazz and Other Musics, won the Writer’s Digest book award for poetry. Her poems, Montserrat and Awaiting Your Return (for Jamal Kashoggi) were nominated for a 2019 Pushcart Prize. Her book, Them Gone, a finalist in the 2015 Word Works Washington Prize competition, was selected for Red Paint Hill Publishing’s Bryant Lysembee Editor’s Prize and published in 2018 by The Word Works. Her speculative poetry chapbook, Otherwheres, won the 2021 Elgin Award.
Her poem, They Are Swimmers, was nominated for a 2021 Best of the Net by Rising Mothers.
She is published in numerous literary magazines and national anthologies including: Wreaths for a Wayfarer: An Anthology in Honour of Pius Adesanmi, Revise the Psalm: Work Celebrating the Writing of Gwendolyn Brooks, The Crafty Poet II: A Portable Workshop, Too Much Boogie, Erotic Remixes of the Dirty Blues, Panoply magazine, SoFi, Faerie Magazine, Iron Horse Review, Lockjaw Magazine, Penumbra, About Place Journal, Poets Reading the News, New Verse News, Scifaikuest, Starline, Eye to the Telescope, 50 over 50, Minerva Rising, Strange Horizons, Rattle, Breath and Shadow, The Crafty Poet II, The Cossack Review, Silver Blade, Tiny Text, The 100 Best African American Poems (2010); Killens Review, Stone Canoe, Three Coyotes, The Year’s Best Writing, Writer’s Digest Guides; DARK MATTER, (the first!) anthology of African American Science Fiction, Time Warner Books, 2000; THE BLUELIGHT CORNER, black women writing on passion, sex, and romantic love, Three Rivers Press, 1999; Will Work For Peace: New Political Poems, 1999; MASKS, Earth's Daughters 52, 1998; CHAIN, 1995; SISTERFIRE, an anthology of Black Womanist Fiction and Poetry, ed. by Charlotte Watson-Sherman, HarperPerennial, 1994; WHAT IS FOUND THERE, NOTEBOOKS ON POETRY AND POLITICS by Adrienne Rich, W.W. Norton, 1993; WRITING FROM THE NEW COAST: TECHNIQUE, Buffalo University, 1993; EROTIQUE NOIRE, (the first!) AN ANTHOLOGY OF BLACK EROTICA, Doubleday/Anchor, 1992; POETS MARKET, 1992, ed. by Judson Jerome, Writers Digest Books; CONFIRMATION, an anthology of Afrikan American Women Writers, 1983; EXTENDED OUTLOOKS, the Iowa Review Collection of Contemporary Women Writers, 1983; and Eyeball, 1995; Obsidian II, 1996, 1994, 1992, 1991; Blue Cage, 1993 (England); Hambone, 1992; African American Review, 1992; Catalyst 1992; and Contact II, 1989; among many others.
She holds a B.A. in psychology from Williams College, a M.B.A. in marketing from Columbia University Graduate School of Business, and a M.S.J. in broadcast journalism from Columbia University Graduate School of Journalism. She is a founding section leader in the Poetry Forum on Compuserve. She served as a founding section leader of African American Resource Forum and in the Books and Writers section of the African American Culture Forum (American Visions) on Compuserve. She also served as a trainer, area coordinator, and group founder and leader for Amnesty International, U.S.A., in the southern tier of New York. She co-authored a biweekly column on social, political, and cultural issues for the Star Gazette in 1995.
She was a finalist in the 1991 Open Voice competition, in the 1990 Barnard New Women Poets Series with her manuscript Fuel for Beginners, and in the MacDonald's Black literary competition for 1989. Her manuscript, The Prize is the Journey, was a finalist in the 1983 Walt Whitman contest. She is a founding member of the Black Writers Union and the New Renaissance Writers Guild whose alumni include Arthur Flowers, Walter Dean Myers and Terri McMillan.
She led the Voices of Fire Reading Choir from 1987 to 1999, performing her work and that of other African American poets. Akua has given hundreds of readings to audiences in colleges, prisons, parks, museums, libraries and bars. Akua bears an exile's desire for work close to home, and a writer's yearning for a galvanizing mythos.
She also creates sculpture, objects, and jewelry in glass, metal and handmade paper. She exhibits her art work regularly. She has published over 130 crochet patterns. Founder of a paratransit nonprofit, she plays with her cat and the soprano saxophone, sings her favorite anime songs in Japanese, makes good manifest, and prays for the end of suffering for all sentience.
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